"The clouds, the clouds
Clouds raced all across the autumn sky
And you and I fumbled for a way to say goodbye
Strangers weren't we
Scared to look into each other's eyes?"
My One and Only Thrill has been sitting in the CD-player of my car for days, continuously playing as I drive and add to my list of reasons why Melody Gardot makes me melt. The passage above is just one that stuck with me while listening to the album. It hasn't happened since Fiona Apples When the Pawn... but this is a state of pure awe. Baby I'm a Fool, the opener of the album, kicks it off with gorgeous violin that painted a dozen pictures of bliss in my head. I felt myself speed up as I got to track #3, Who Will Comfort Me. I must apologize to my comrades driving on Northwest Highway because the second the rhythmic acoustic guitar sounded beginning this song, I was swept away. Gardot’s impeccable delivery as the words "My soul is a-weary" trickle from her lips...I was hooked within the first ten seconds! After a verse or so the trumpets solidify the awesome groove that pumps through the entire song. Elements pile on top of each other as Gardot scats and, at the end, adds a choir of baritone voices to echo her pleading "Who will comfort me?".
http://www.youtube.com/watch?v=qKDj-OVJ6hc
All of that, and that's not even my favorite! They all are..I could gush at least that much about most songs on this album.
The next one to stick with me was the haunting "Your Heart is as Black as Night". The emotion of the piano accompaniment would suffice, but as soon as Gardot lays her sultry vocals on thick, the song takes off. In perhaps the most accusatory track, Gardot keeps her magnificent cool as she slides from note to note with the same ease as every other track--which is almost more enticing than the obnoxious belt of many other current artists.
http://www.youtube.com/watch?v=Kmc1XN3iVVc
The album has impressed me so far (if you couldnt tell, shame on you), but I hadn't been moved to tears quite yet. Lover Undercover begins with an innocent sounding Melody simply stating: "I don't need anything more than I got, I'll make it simple when others may not". The song is a word of comfort to a lover, a letter of loyalty as Gardot promises to ease her lover's pain. Everything about this heartfelt ballad moved me. As I drove through the hellish parking lot of Northpark Mall the day after Christmas, this track played and calmed my road rage and my fear of screwing up. I entered a daze the first time I heard it and still check into the same peaceful place in my head when I see the track number change to #5. The climax of the song arrives at the last note. All accompaniment holds as Gardot finishes the song off herself (as she does on other songs as well). Gardot sings the words:
"Whenever you need a soft touch
Know my demands are small
Make me a lover, undercover
Or don't ever love me at all"
All of the words are sung with the typical delivery until Gardot reaches the last phrase. She launches into a beautiful full voice with the words "at all" as she commands your attention. For reasons beyond my logical understanding, I was almost moved to tears at the sound of that note. I guess the music had already lulled me into a perpetual state of content and that last note was the reminder that Melody wants what she wants--a lover undercover. I melted.
http://www.youtube.com/watch?v=gLNzMxhyDWU
I could gush for hours, and will probably write more posts about Gardot as I continue to learn about her. I still need to rant about Our Love is Easy, but all in good time. As soon as I am able to take a break from My One and Only Thrill I am going to do everything in my power to learn about Melody Gardot. What an inspiration.
"How was I to know that this was always only just a little game to you?
All the time I felt you gave your heart I thought that I would do the same for you,
Tell the truth I think I should have seen it coming from a mile away,
When the words you say are,
'Baby I’m a fool who thinks it’s cool to fall in love'"
Monday, December 28, 2009
Tuesday, December 15, 2009
Maya: Emerge By Michael Lagoki
Over the past year or so I have been very blessed to meet some of the most creative and talented people I know through a non-profit organization called ArtLoveMagic. The band I play bass in (Rin Tin Tin) was approached at a Zounds Sounds show by Justin Nygren (a founder of ALM). He gave us his card and told us that he was interested in booking us to play shows. We had no idea at the time that we would become very close with the people of ArtLoveMagic.
Rin Tin Tin has played a zillion of ArtLoveMagic's Art and Coffee shows. These open mic nights are held at Saxby's Coffee in Farmer's Branch and serve as a showcase for poets, musicians, painters, and damn near every kind of art you can think of. At one of our first Art and Coffees, we watched another founder, Michael Lagoki, recite an incredibly moving poem that spoke to us in an astonishing way. His poem is titled Maya: Emerge and describes man's desire to do good combating the compulsion to be selfish. His poem illustrates the aspect of our very human nature to put ourselves first when others should be the most important.
^Live scribing
I truly admire Michael Lagoki, here is
Maya: Emerge
This world is a Maya.
It's a metaphor for self.
True connection feels like heaven- isolation feels like hell.
We've always known it was illusion, yet still it hit the truth.
So we've been waiting and debating, we've been organizing proof. We've been analyzing roots cause we've been strategizing moves. We've been gathering and cataloging hints and lies and clues.
See it's easy to get lost when you're trying to put a puzzle together, even when you know it's a game.
Because how do you do a puzzle when the pieces keep changing? ...when the size and the shapes and the colors and the names and even the picture on the BOX are all in constant shift, and they're breathing in and out and they're moving around like this, and you thought you made progress but you find yourself back where you thought you had started, still craving what you lacked, and you scream
"I've been trying, I've been doing right. I've been reading holy books, sayin' prayers every night. I've been walking the faith. I've been giving to the poor. I have been begging God to open the door."
But you know the truth is you've been both. You've been the sacred and the profane. Yeah, you were honoring the name when you weren't taking it in vain. And you were giving to the poor when it didn't occur to you to hoard. And you were lifting up your gifts when you weren't demanding more.
But hey, that's what life is, it's a paradox of sorts.
You are a vibration in the body of God, moving back and moving forth.
So why don't you ease up a bit? Stop providing so much stress.
You didn't come forth here to judge yourself, you came here to express, to think and feel and bless, to open up your chest, to use the language of your soul to birth magnificence. The wise ones will rejoice. We are at a time of choice.
We need to feel your voice.
Step forward and be heard. Reclaim the gift of word.
Creativity, vitality, through poetry: emerge."
-Michael Lagocki
If you would like to hear Michael recite his poem, go to the music section of ArtLoveMagic.com
http://artlovemagic.com/homebase/radio_02.htm
Rin Tin Tin has played a zillion of ArtLoveMagic's Art and Coffee shows. These open mic nights are held at Saxby's Coffee in Farmer's Branch and serve as a showcase for poets, musicians, painters, and damn near every kind of art you can think of. At one of our first Art and Coffees, we watched another founder, Michael Lagoki, recite an incredibly moving poem that spoke to us in an astonishing way. His poem is titled Maya: Emerge and describes man's desire to do good combating the compulsion to be selfish. His poem illustrates the aspect of our very human nature to put ourselves first when others should be the most important.
^Live scribing
I truly admire Michael Lagoki, here is
Maya: Emerge
This world is a Maya.
It's a metaphor for self.
True connection feels like heaven- isolation feels like hell.
We've always known it was illusion, yet still it hit the truth.
So we've been waiting and debating, we've been organizing proof. We've been analyzing roots cause we've been strategizing moves. We've been gathering and cataloging hints and lies and clues.
See it's easy to get lost when you're trying to put a puzzle together, even when you know it's a game.
Because how do you do a puzzle when the pieces keep changing? ...when the size and the shapes and the colors and the names and even the picture on the BOX are all in constant shift, and they're breathing in and out and they're moving around like this, and you thought you made progress but you find yourself back where you thought you had started, still craving what you lacked, and you scream
"I've been trying, I've been doing right. I've been reading holy books, sayin' prayers every night. I've been walking the faith. I've been giving to the poor. I have been begging God to open the door."
But you know the truth is you've been both. You've been the sacred and the profane. Yeah, you were honoring the name when you weren't taking it in vain. And you were giving to the poor when it didn't occur to you to hoard. And you were lifting up your gifts when you weren't demanding more.
But hey, that's what life is, it's a paradox of sorts.
You are a vibration in the body of God, moving back and moving forth.
So why don't you ease up a bit? Stop providing so much stress.
You didn't come forth here to judge yourself, you came here to express, to think and feel and bless, to open up your chest, to use the language of your soul to birth magnificence. The wise ones will rejoice. We are at a time of choice.
We need to feel your voice.
Step forward and be heard. Reclaim the gift of word.
Creativity, vitality, through poetry: emerge."
-Michael Lagocki
If you would like to hear Michael recite his poem, go to the music section of ArtLoveMagic.com
http://artlovemagic.com/homebase/radio_02.htm
Sunday, November 29, 2009
New Rin Tin Tin Song!
So I play bass in this fabulous funk-rap band called Rin Tin Tin.
I am accompanied by Ellyn Stroud (E-Money), our brilliant rapper and lyricist, Andy Marin (my main squeeze), our extremely talented guitarist, and Grey Vracin (Creamy Grey), our magnificent beat-master and comedic relief.
I'll post more about the band later, but I'm mainly excited right now because I just wrote a brand new Rin Tin Tin song.
Ellyn and I write the songs usually, but I haven't written one in awhile. I've had some bass riffs swirling around in my head, but I finally wrote some lyrics today that I'm pretty proud of. Also, there isn't a lot of singing in Rin Tin Tin, but I'm excited to say that this is my first song with a written melody! (Meaning I plunked the notes I was humming on the piano and wrote it down)
So imagine a bass line sort of like this--
(Turn your volume all the way up, I couldn't turn up very loud because it was late)
With a rap like this
(Keep in mind that the rhythm probably won't make sense reading it, what with all the stressed and unstressed syllables, broken and unbroken words etc)
Verse 1
Never enough
Sooner or later things are runnin' a muck
Your hilarity brings no clarity and I don't give a fuck
Maybe the next time around I'll do you proud
Only I can hear the screaming inside and how loud
It is not my place to get all up in your face
I handle with grace the burden of a quickening pace
Slow down, speed up maybe I'll take you aside
Explain why you should sit back and just let me drive
Keep your composure till the ice around you freezes you there
Yeah, now you've had your share
Reach out your hand though you think I won't take it
Love me, even if you have to fake it
Chorus (sung)
Because I need that from you, you know I need that from you
Stuck in our own agendas wondering why and what we did to get this way
Forgive me for treating you like I do
Give me the benefit of the doubt help me out when my hand is still--reaching for you
Verse 2
Recall a time when we were fine
Hell, even better than fine--sublime
Spending time felt less like doing time or losing time
I'm just as much to blame, you turned your back against me but I'm doing the same
And it shows, in every room we occupy we feel surrounded by..disdain, disservice and plain disinterest
Some of the best, these words shouldn't come to mind for two or our kind
There's love there, it's not fair to live our lives apart
Let's make a start do the smart thing and repair this damage
Love is what I need, I think you'll agree
Chorus
Bridge
Basically repeating "I need that from you" over and over with growing intensity
And that's all I have right now, but I'm planning on writing a third verse
So I'm excited! I know people never comment on blogs (much less read them..) but if you happen to be reading this right now, feel free to comment and give some feedback.
I am accompanied by Ellyn Stroud (E-Money), our brilliant rapper and lyricist, Andy Marin (my main squeeze), our extremely talented guitarist, and Grey Vracin (Creamy Grey), our magnificent beat-master and comedic relief.
I'll post more about the band later, but I'm mainly excited right now because I just wrote a brand new Rin Tin Tin song.
Ellyn and I write the songs usually, but I haven't written one in awhile. I've had some bass riffs swirling around in my head, but I finally wrote some lyrics today that I'm pretty proud of. Also, there isn't a lot of singing in Rin Tin Tin, but I'm excited to say that this is my first song with a written melody! (Meaning I plunked the notes I was humming on the piano and wrote it down)
So imagine a bass line sort of like this--
(Turn your volume all the way up, I couldn't turn up very loud because it was late)
With a rap like this
(Keep in mind that the rhythm probably won't make sense reading it, what with all the stressed and unstressed syllables, broken and unbroken words etc)
Verse 1
Never enough
Sooner or later things are runnin' a muck
Your hilarity brings no clarity and I don't give a fuck
Maybe the next time around I'll do you proud
Only I can hear the screaming inside and how loud
It is not my place to get all up in your face
I handle with grace the burden of a quickening pace
Slow down, speed up maybe I'll take you aside
Explain why you should sit back and just let me drive
Keep your composure till the ice around you freezes you there
Yeah, now you've had your share
Reach out your hand though you think I won't take it
Love me, even if you have to fake it
Chorus (sung)
Because I need that from you, you know I need that from you
Stuck in our own agendas wondering why and what we did to get this way
Forgive me for treating you like I do
Give me the benefit of the doubt help me out when my hand is still--reaching for you
Verse 2
Recall a time when we were fine
Hell, even better than fine--sublime
Spending time felt less like doing time or losing time
I'm just as much to blame, you turned your back against me but I'm doing the same
And it shows, in every room we occupy we feel surrounded by..disdain, disservice and plain disinterest
Some of the best, these words shouldn't come to mind for two or our kind
There's love there, it's not fair to live our lives apart
Let's make a start do the smart thing and repair this damage
Love is what I need, I think you'll agree
Chorus
Bridge
Basically repeating "I need that from you" over and over with growing intensity
And that's all I have right now, but I'm planning on writing a third verse
So I'm excited! I know people never comment on blogs (much less read them..) but if you happen to be reading this right now, feel free to comment and give some feedback.
Monday, November 23, 2009
Acting and Narcisism
I don't consider myself an actress. I don't want to be an actress. I don't have a passion for acting. There are a million things I love more than acting.
Yet, I still act. I act frequently, actually. I have never understood why I am consistently drawn toward acting.
I was pondering and reasoning when I realized that it could all be tied to ego. Think about it: the rush of seeing your name on that cast list beside the part you want, taking your head shots and seeing them on your resume, seeing your face on television or in a movie. It all seems a bit narcissistic. I believe that acting is an art form, but there is still part of me that wonders if acting isn't just a confidence boost, a kick for your self esteem.
Take a moment and recall every famous actor you can think of. There are many of them. So what is so appealing about being an actor? You get paid damn near teacher's salary, if not less, and have to go through hoops to get work at all. Some actors become famous, most don't. But what is the one aspect that consistently pulls countless people to the theater or film or television.
I feel guilty oftentimes when I catch myself getting caught up in the acting world. I feel as though it is the self recognition that I love more than the actual art form. For anyone who has ever done theater before, they know the drill. Auditioning is a nail biting and exciting process that either leads to payoff or disappointment. Even after getting the part and experiencing the inflation of ego that soon follows, you will still go home and highlight each line your character has. Counting them one. by. one. Sure your director will tell you to go home and read the whole play, but all you really care about are your lines, your entrances, your cues. That's just the way it goes.
Sounds pretty narcissistic.
And oh don't we all know how much emphasis Hollywood places on physical appearance. Most young movie stars are more famous for their photos in US Weekly than their actual work. If I decided to become an actress, I would feel pressured to look perfect all the time. Hire a crew of hair and makeup artists to follow me wherever I went to make sure I looked presentable at all times. Isn't that important? Looking your best at all times so that casting directors will magically see you in their movie? I don't see magic in that. I see thousands of dollars wasted on curling irons, concealer, and five inch heels (I'm 5'3 and it's no mystery that young Hollywood favors that model-esque, tall and slender physique).
God!
And the frustrating thing is, we're all guilty of this. I audition for plays all the time. I feel that rush in the audition room. I feel that addicting self worth when I see the pay off. It's an extreme boost for your self esteem, and who doesn't want that?
The guilt sets in when I feel as if it's an addiction I'm feeding, not a love.
If it's a love of anything, it's a love of vanity--not art.
What do you think? Comment and tell me about it
Yet, I still act. I act frequently, actually. I have never understood why I am consistently drawn toward acting.
I was pondering and reasoning when I realized that it could all be tied to ego. Think about it: the rush of seeing your name on that cast list beside the part you want, taking your head shots and seeing them on your resume, seeing your face on television or in a movie. It all seems a bit narcissistic. I believe that acting is an art form, but there is still part of me that wonders if acting isn't just a confidence boost, a kick for your self esteem.
Take a moment and recall every famous actor you can think of. There are many of them. So what is so appealing about being an actor? You get paid damn near teacher's salary, if not less, and have to go through hoops to get work at all. Some actors become famous, most don't. But what is the one aspect that consistently pulls countless people to the theater or film or television.
I feel guilty oftentimes when I catch myself getting caught up in the acting world. I feel as though it is the self recognition that I love more than the actual art form. For anyone who has ever done theater before, they know the drill. Auditioning is a nail biting and exciting process that either leads to payoff or disappointment. Even after getting the part and experiencing the inflation of ego that soon follows, you will still go home and highlight each line your character has. Counting them one. by. one. Sure your director will tell you to go home and read the whole play, but all you really care about are your lines, your entrances, your cues. That's just the way it goes.
Sounds pretty narcissistic.
And oh don't we all know how much emphasis Hollywood places on physical appearance. Most young movie stars are more famous for their photos in US Weekly than their actual work. If I decided to become an actress, I would feel pressured to look perfect all the time. Hire a crew of hair and makeup artists to follow me wherever I went to make sure I looked presentable at all times. Isn't that important? Looking your best at all times so that casting directors will magically see you in their movie? I don't see magic in that. I see thousands of dollars wasted on curling irons, concealer, and five inch heels (I'm 5'3 and it's no mystery that young Hollywood favors that model-esque, tall and slender physique).
God!
And the frustrating thing is, we're all guilty of this. I audition for plays all the time. I feel that rush in the audition room. I feel that addicting self worth when I see the pay off. It's an extreme boost for your self esteem, and who doesn't want that?
The guilt sets in when I feel as if it's an addiction I'm feeding, not a love.
If it's a love of anything, it's a love of vanity--not art.
What do you think? Comment and tell me about it
Sunday, November 15, 2009
My Skin Hates Me..But I Love Theater!
Good morning, gigantic zit on the upper right-hand corner of my chin.
I knew it would come to this, I've been packing the make-up on (Ben Nye stage make-up, it's basically paint) for four consecutive days--I knew you would lash out soon.
Oh the joys of theater. I don't consider myself an actress, but I won't ever be able to hide that part of me is a full-fledged theater kid.
Though I used to deny it, I love the tedious hair curling, the horribly fake English accents, and the oh-so-uncomfortable character shoes. But honestly, theater is so much more than that! Oh but I sure as hell do not have the credibility to explain what theater itself really is (a medium of language, YES Mr. Athas).
But my favorite part of every theatrical experience I have had is the community of friends I build through the process.
I am in a British comedy right now, Charley's Aunt at my high school. The show was written in the 1800's and has STILL survived in this sexting-and-twitter-filled day and age. I've made some remarkable friendships in the three short months that we've worked on the show. The special bond made in a cast is a truly extraordinary thing. I have my best friends, my friend-friends, my school friends, my acquaintances--none of these relationships are similar to those made in a cast.
I see these people almost every day. I have to work intimately with these people. When acting on stage with some one, there are special bonds formed. It's one of those you-have-to-be-there situations. I definitely don't share as much of my life with my theater friends as I do my best friends, but I still feel as though my theater friends have a very special part of me. We understand each other. One principal aspect of my personality is my love of performing. I love being around theatrical people because they share that love.
Now all of this is fine and good on paper, but sometimes it makes you wonder--Would I ever have anything in common with these people outside of acting? What would we talk about if we weren't in a show together?
Well I have these feelings all the time as well. That does tend to happen doesn't it. You make friends at summer camp. You quickly realize that all you can comfortably talk about with your friends from summer camp is..summer camp. But I was proven wrong the other night when we took a cast trip to IHOP after opening the show.
A picture is a thousand words and..well..let's just say this one sums up my mood that evening
Talking. Laughing. Sharing. It was a perfect night! I went home that evening feeling so content with my life.
That night was just a continuation of the blissful state that this show has put me in. We went on a field trip on Wednesday, followed by our preview show. Ever since that fabulous day I have been in another world. I'm very studious and always work hard in school, but this is the first time that I've simply forgotten that I even go to school. This play and this cast has become my life--and I love it!
Maybe I'm having this reaction because I've always been a sucker for familial bonding. It sounds sappy, but I really enjoy the feeling of community and family. I've never been a sports enthusiast (you should see me play basketball..or anything for that matter), so I don't get the benefits of being on a team. I'm in a band, that is a tightly knit family for sure. But there is something about being in a bigger group of people and still feeling the closeness you feel with your two best friends.
It makes me melt, I'm melting if you couldn't tell.
I'll probably write more about this wonderful group of people and my crazy experiences as a theater kid. But to close this post I will show you my Theater Kid Victory Picture
Summing up my attitude toward theater and my cast:
P.S. Notice the thick, goopey, theater make-up
:D
I knew it would come to this, I've been packing the make-up on (Ben Nye stage make-up, it's basically paint) for four consecutive days--I knew you would lash out soon.
Oh the joys of theater. I don't consider myself an actress, but I won't ever be able to hide that part of me is a full-fledged theater kid.
Though I used to deny it, I love the tedious hair curling, the horribly fake English accents, and the oh-so-uncomfortable character shoes. But honestly, theater is so much more than that! Oh but I sure as hell do not have the credibility to explain what theater itself really is (a medium of language, YES Mr. Athas).
But my favorite part of every theatrical experience I have had is the community of friends I build through the process.
I am in a British comedy right now, Charley's Aunt at my high school. The show was written in the 1800's and has STILL survived in this sexting-and-twitter-filled day and age. I've made some remarkable friendships in the three short months that we've worked on the show. The special bond made in a cast is a truly extraordinary thing. I have my best friends, my friend-friends, my school friends, my acquaintances--none of these relationships are similar to those made in a cast.
I see these people almost every day. I have to work intimately with these people. When acting on stage with some one, there are special bonds formed. It's one of those you-have-to-be-there situations. I definitely don't share as much of my life with my theater friends as I do my best friends, but I still feel as though my theater friends have a very special part of me. We understand each other. One principal aspect of my personality is my love of performing. I love being around theatrical people because they share that love.
Now all of this is fine and good on paper, but sometimes it makes you wonder--Would I ever have anything in common with these people outside of acting? What would we talk about if we weren't in a show together?
Well I have these feelings all the time as well. That does tend to happen doesn't it. You make friends at summer camp. You quickly realize that all you can comfortably talk about with your friends from summer camp is..summer camp. But I was proven wrong the other night when we took a cast trip to IHOP after opening the show.
A picture is a thousand words and..well..let's just say this one sums up my mood that evening
Talking. Laughing. Sharing. It was a perfect night! I went home that evening feeling so content with my life.
That night was just a continuation of the blissful state that this show has put me in. We went on a field trip on Wednesday, followed by our preview show. Ever since that fabulous day I have been in another world. I'm very studious and always work hard in school, but this is the first time that I've simply forgotten that I even go to school. This play and this cast has become my life--and I love it!
Maybe I'm having this reaction because I've always been a sucker for familial bonding. It sounds sappy, but I really enjoy the feeling of community and family. I've never been a sports enthusiast (you should see me play basketball..or anything for that matter), so I don't get the benefits of being on a team. I'm in a band, that is a tightly knit family for sure. But there is something about being in a bigger group of people and still feeling the closeness you feel with your two best friends.
It makes me melt, I'm melting if you couldn't tell.
I'll probably write more about this wonderful group of people and my crazy experiences as a theater kid. But to close this post I will show you my Theater Kid Victory Picture
Summing up my attitude toward theater and my cast:
P.S. Notice the thick, goopey, theater make-up
:D
Thursday, November 12, 2009
That's Hot: The Death of Class in the Present Generation
Ella Fitzgerald, Audrey Hephurn, Jacqueline Kennedy O'nasis--All women that embodied class and were staples of womanhood in their generation.
Lindsay Lohan, Paris Hilton, Britney Spears--These are the women that we have to look up to nowadays. These are our models of womanhood, though they are hardly models of class or glamour.
It took awhile for me to fully understand class and how important it is. I blame this completely on the women of this generation that are thought of as role models. I would kill to live in the 1940's when girls looked up to Ella Fitzgerald for her outstanding demeanor and style. Instead, we see pictures of half-naked women in the tabloids and we are supposed to..what..idolize them?
This whole idea doesn't make sense to me, though it does to some girls. I guess I've always acted a certain way when it came to my body, clothes, and my whole outward show of myself. I've always been very modest, not in a prudent way, but I want people to respect me. I don't consider that to be class, but the women that are considered role models nowadays hardly respect themselves enough to be earning the respect of others.
I sometimes feel like this topic has been tired out. Like when I mention it, I transform into a mother in my mid 40's whining about how my daughter is wearing a jean skirt that I think is too short and it's all because Paris Hilton was wearing one in US Weekly today. That's not my point.
What I'm saying is that people need to stop wondering how our society got so trashy and why nobody wears pretty dresses anymore and men don't pull out the chairs for their dates when they go to dinner--who wants to pull out the chair for a trashy whore?
That might be a little extreme. But how interesting is it to think of how things would be if, instead of aiming to look like Megan Fox, girls aimed to look like Anne Hathaway or Norah Jones--classy women of this generation that would actually serve as good role models not only to girls that will be nuns when they grow up, but for all of us!
If people are unhappy with the loosely upheld standards of society nowadays, they simply need to look at the current models for society. I wonder how many girls want to be just like Lindsay Lohan when they grow up. God. The mere thought scares me.
Lindsay Lohan, Paris Hilton, Britney Spears--These are the women that we have to look up to nowadays. These are our models of womanhood, though they are hardly models of class or glamour.
It took awhile for me to fully understand class and how important it is. I blame this completely on the women of this generation that are thought of as role models. I would kill to live in the 1940's when girls looked up to Ella Fitzgerald for her outstanding demeanor and style. Instead, we see pictures of half-naked women in the tabloids and we are supposed to..what..idolize them?
This whole idea doesn't make sense to me, though it does to some girls. I guess I've always acted a certain way when it came to my body, clothes, and my whole outward show of myself. I've always been very modest, not in a prudent way, but I want people to respect me. I don't consider that to be class, but the women that are considered role models nowadays hardly respect themselves enough to be earning the respect of others.
I sometimes feel like this topic has been tired out. Like when I mention it, I transform into a mother in my mid 40's whining about how my daughter is wearing a jean skirt that I think is too short and it's all because Paris Hilton was wearing one in US Weekly today. That's not my point.
What I'm saying is that people need to stop wondering how our society got so trashy and why nobody wears pretty dresses anymore and men don't pull out the chairs for their dates when they go to dinner--who wants to pull out the chair for a trashy whore?
That might be a little extreme. But how interesting is it to think of how things would be if, instead of aiming to look like Megan Fox, girls aimed to look like Anne Hathaway or Norah Jones--classy women of this generation that would actually serve as good role models not only to girls that will be nuns when they grow up, but for all of us!
If people are unhappy with the loosely upheld standards of society nowadays, they simply need to look at the current models for society. I wonder how many girls want to be just like Lindsay Lohan when they grow up. God. The mere thought scares me.
Sunday, November 8, 2009
You really turn me on..
The way you make me feel, woo baby.
I saw This Is It this evening and, aside from being profoundly blown away and inspired as one would expect, I was strangely turned on.
Michael has always drawn me in, especially his 19-year-old-hip-thrusts in Don't Stop Til You Get Enough. But of course I felt a bit ookie watching the tribute to the deceased King of Pop and feeling..ready to be startin' something.
Watching Michael Jackson always gives me an appreciation for men that can move. What girl isn't turned on by a properly executed hip thrust? Or that fancy foot work followed by a smooth turn. I don't know, something about it makes me melt.
It's too bad that, in today's society, swaying back and forth ass-to-crotch is considered dancing. Gettin' low, grinding, and damn near having sex on the dance floor is nice and all--but it's the actual execution and sexual undertone of Michael's dancing that gets me.
When he's Billie Jeanin' it up, you can tell that there's something driving him other than the ever famous bass line.
It's all very arousing to me. Though I have a boyfriend, I almost want to hold auditions for male dancers to just have at my disposal. That definitely sounds like I'm into male strip joints. Anyone can take off their clothes to Ice Ice Baby.
I want some funky ass Michael Jackson dancing, boys.
I saw This Is It this evening and, aside from being profoundly blown away and inspired as one would expect, I was strangely turned on.
Michael has always drawn me in, especially his 19-year-old-hip-thrusts in Don't Stop Til You Get Enough. But of course I felt a bit ookie watching the tribute to the deceased King of Pop and feeling..ready to be startin' something.
Watching Michael Jackson always gives me an appreciation for men that can move. What girl isn't turned on by a properly executed hip thrust? Or that fancy foot work followed by a smooth turn. I don't know, something about it makes me melt.
It's too bad that, in today's society, swaying back and forth ass-to-crotch is considered dancing. Gettin' low, grinding, and damn near having sex on the dance floor is nice and all--but it's the actual execution and sexual undertone of Michael's dancing that gets me.
When he's Billie Jeanin' it up, you can tell that there's something driving him other than the ever famous bass line.
It's all very arousing to me. Though I have a boyfriend, I almost want to hold auditions for male dancers to just have at my disposal. That definitely sounds like I'm into male strip joints. Anyone can take off their clothes to Ice Ice Baby.
I want some funky ass Michael Jackson dancing, boys.
Birth of a Youtube Channel!
Hello everyone,
I'm excited to say that I've FINALLY made myself a youtube channel to record my original songs and covers. I was trying to record some videos this afternoon when my dinky keyboard conked out on me, so I had to upload an old one.
Anyway, check it out! There's more to come and I always like suggestions for covers.
This video is an original that I wrote awhile ago called "I Don't Want to Be an Actress"
I'm excited to say that I've FINALLY made myself a youtube channel to record my original songs and covers. I was trying to record some videos this afternoon when my dinky keyboard conked out on me, so I had to upload an old one.
Anyway, check it out! There's more to come and I always like suggestions for covers.
This video is an original that I wrote awhile ago called "I Don't Want to Be an Actress"
Saturday, November 7, 2009
Some people..
I don't consider myself a very hateful person, BUT
Some people have the power to make my blood boil. Particularly these hot-shot kids, let's call them Kristopher Douchebag and Matthew Dillhole. I'm sorry that I am so harsh, but that's just my nature. We all know these kids. The over the top non-conformists that hang out with the other non-conformist kids (except not on the weekends, that's too mainstream). These kids sit at lunch and discuss how they despise people and all of their tendencies and how the world would function more efficiently if everyone. acted. like. them.
Well that's just great! Stay in your bubble (I bet it's pretty hard to dig your way up when you're THAT underground). Congratulations, you shun society and all the wickedness that comes with it. I understand that it's "cool" to be different. But what would YOU do if Matthew Dillhole claimed he didn't listen to music, because merely LISTENING TO MUSIC is too mainstream? Would you punch him in the nose? I probably would. Oh but it doesn't end there. Though these children pretend not to have interests--they do. They would rather keep them to themselves, that's all (you probably wouldn't have heard of anything they do, it is oh so underground).
The interesting thing is, these kids are not the indie kids. Indie kids are a whole other genre (like that? Cause of Indie music?). Being indie usually suggests that you have style, taste, a PREFERENCE. And being indie doesn't mean you shun the world, they just listen to too much Britney Spears to know about Throw Me the Statue or One Day as a Lion. That is surely not YOUR fault.
No, these kids are a whole new breed of ignorant. These are the kids that hate Michael Jackson because he's either "a faggot" or they "never much liked the Billie Jean song, that's what it's called right?". Oh yeah, I forgot--you're much too busy to know a petty little thing like that.
These are the kids that look at your laptop while you're on Facebook and say "Oh wow, what is that? Of course I don't have one, so I don't know how they work. What does this do? WAIT, YOU TALK TO PEOPLE ON THIS THING? ZOMG." Actually they probably don't even own computers. Russian literature. That's my Facebook.
You would think that these kids are too underground to have friends, who needs friends when they probably won't comprehend my oh so complex personality? Spare me.
But actually, these people tend to travel in packs just as cheerleaders or theater kids do. The packs are smaller, mind you, they can't have many people knowing about them.
Perhaps the thing that irritates me the MOST about these wonderful human beings is that they think they are so. damn. great.
They think the rest of the world should act like they do. The few people I know that fit this description are some of the cockiest people I've ever met. What do you have to be cocky about? If you're going to be self absorbed, you should at least have a reason.
If you're gorgeous, fine
If you're talented, fine
If you're really frigging intelligent, FINE
But oh, excuse me
I forgot
It's not cool to have people like you
Some people..
Some people have the power to make my blood boil. Particularly these hot-shot kids, let's call them Kristopher Douchebag and Matthew Dillhole. I'm sorry that I am so harsh, but that's just my nature. We all know these kids. The over the top non-conformists that hang out with the other non-conformist kids (except not on the weekends, that's too mainstream). These kids sit at lunch and discuss how they despise people and all of their tendencies and how the world would function more efficiently if everyone. acted. like. them.
Well that's just great! Stay in your bubble (I bet it's pretty hard to dig your way up when you're THAT underground). Congratulations, you shun society and all the wickedness that comes with it. I understand that it's "cool" to be different. But what would YOU do if Matthew Dillhole claimed he didn't listen to music, because merely LISTENING TO MUSIC is too mainstream? Would you punch him in the nose? I probably would. Oh but it doesn't end there. Though these children pretend not to have interests--they do. They would rather keep them to themselves, that's all (you probably wouldn't have heard of anything they do, it is oh so underground).
The interesting thing is, these kids are not the indie kids. Indie kids are a whole other genre (like that? Cause of Indie music?). Being indie usually suggests that you have style, taste, a PREFERENCE. And being indie doesn't mean you shun the world, they just listen to too much Britney Spears to know about Throw Me the Statue or One Day as a Lion. That is surely not YOUR fault.
No, these kids are a whole new breed of ignorant. These are the kids that hate Michael Jackson because he's either "a faggot" or they "never much liked the Billie Jean song, that's what it's called right?". Oh yeah, I forgot--you're much too busy to know a petty little thing like that.
These are the kids that look at your laptop while you're on Facebook and say "Oh wow, what is that? Of course I don't have one, so I don't know how they work. What does this do? WAIT, YOU TALK TO PEOPLE ON THIS THING? ZOMG." Actually they probably don't even own computers. Russian literature. That's my Facebook.
You would think that these kids are too underground to have friends, who needs friends when they probably won't comprehend my oh so complex personality? Spare me.
But actually, these people tend to travel in packs just as cheerleaders or theater kids do. The packs are smaller, mind you, they can't have many people knowing about them.
Perhaps the thing that irritates me the MOST about these wonderful human beings is that they think they are so. damn. great.
They think the rest of the world should act like they do. The few people I know that fit this description are some of the cockiest people I've ever met. What do you have to be cocky about? If you're going to be self absorbed, you should at least have a reason.
If you're gorgeous, fine
If you're talented, fine
If you're really frigging intelligent, FINE
But oh, excuse me
I forgot
It's not cool to have people like you
Some people..
Thursday, October 22, 2009
Oh right..
Well I just realized that I went ahead with my first post before introducing myself to the blogging world, because I know oh so many of you were dying hear my introduction.
The Basics:
My name is Erin Little. I'm in high school. I'm really going to try my hardest to differentiate between petty high school nothingness and actual thoughts that might be interesting for the general public. That being said, my intention with this blog is to brighten ONE person's day, make ONE person laugh, have ONE person forget that reason they were angry. If just one person's day is bettered by reading one of my jabbery blog posts, I will be a happy camper.
Some Specifics:
Some facts might give people a better insight to why I write about the things I do, or HOW I right about the things I do. I am a musician. I am a writer. I am a cancer survivor (ALL Leukemia). I am a singer. I am an observer. I am a creator. I've always loved music. Whether I sing it, drum it, slap it, or strum it--I love it. How awful was that. ANYWAY, I also love writing. Most of the time I feel like my brain travels at a mile a minute, making it almost impossible to keep track of how I feel at all times. This mashed up blog is an attempt at formulating those thoughts.
One of the crowning achievements of my life thus far has been surviving childhood cancer, I won't get into that now because that will be a very interesting thing to blog about in the future.
As I said, I hope something I say makes you laugh. Whether it be a typo, a sarcastic remark, or (God permitting) I actually say something charming or witty--I aim to entertain.
Follow me!
The Basics:
My name is Erin Little. I'm in high school. I'm really going to try my hardest to differentiate between petty high school nothingness and actual thoughts that might be interesting for the general public. That being said, my intention with this blog is to brighten ONE person's day, make ONE person laugh, have ONE person forget that reason they were angry. If just one person's day is bettered by reading one of my jabbery blog posts, I will be a happy camper.
Some Specifics:
Some facts might give people a better insight to why I write about the things I do, or HOW I right about the things I do. I am a musician. I am a writer. I am a cancer survivor (ALL Leukemia). I am a singer. I am an observer. I am a creator. I've always loved music. Whether I sing it, drum it, slap it, or strum it--I love it. How awful was that. ANYWAY, I also love writing. Most of the time I feel like my brain travels at a mile a minute, making it almost impossible to keep track of how I feel at all times. This mashed up blog is an attempt at formulating those thoughts.
One of the crowning achievements of my life thus far has been surviving childhood cancer, I won't get into that now because that will be a very interesting thing to blog about in the future.
As I said, I hope something I say makes you laugh. Whether it be a typo, a sarcastic remark, or (God permitting) I actually say something charming or witty--I aim to entertain.
Follow me!
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